00:00 Melody begins with large skips.
00:22 2nd phrase uses the five note idea.
00:39 Motive used in a descending version in the right hand.
00:57 3rd idea, built on the original idea and the use of short trills.
01:11 The melody is now based on an inversion of the previous falling melodic idea.
01:21 Fast melodic lines ends the first section.
01:32 This begins a complete repeat from the beginning .
01:53 Return of the second idea (:22 above).
02:08 Trill motive returns.
02:27 Inversion of the trill motive.
02:40 The more active section repeats, leading up the to a cadence.
03:00 Strong cadence.
03:02 Expressive moment. The performer uses rubato but stays closely with the motives.
03:24 New phrase begins. Notice how all of the motives go by from the beginning of the sonata, but with variation.
04:50 End.